17 Eylül 2015 Perşembe

a story about peace

This week there is a story pulling my hair, sleeping on my pillow, it wants to be told so badly that it creates static in my mind like an untuned radio. 
So I’ll tell it to you, maybe then it will leave me alone like a satisfied ghost, and maybe by telling it, I’ll hear it really for the first time and understand what it is trying to tell me. 

One day a teacher was taking his morning walk by the lake, slowly meditating on the way of life, and the needs of his students, when he noticed that one of his student was following him. He invited the young student to walk by his side, and asked him why he had been following him thus. “Well” replied the student, “I was hoping that if I spent a little more time in your presence I would learn something, that maybe you would teach me how to get further on the way.” Touched by such dedication the teacher asked: “I admire you thirst for knowledge, but knowledge is only as good as what you intend to do with it, tell me, why have you chosen to become a student of the way?” The student proudly inflated his chest and declared: “I wish to bring peace to the world;” then he proudly turned around, hoping to catch a glint of admiration in his teacher’s eye. However all he saw was his teacher’s hand as he grabbed his hair, pulled his head, and plunged it in the cold waters of the lake.  As the teacher held the student’s head under the water, the student tried to pull back, kicked, shook, nothing worked, the teacher was strong and held fast, the student panicked, thirty seconds, one minute…finally the hand let go, and the student came up, gasping for air, coughing and confused. He heard the question: “what did you most want during the last minute?”  “AIR of course” “Remember, replied the teacher,  this, is what wanting is, you will only attain your goal, when you want and need peace as much and as completely as you wanted air during the last minute.”

What this story is telling me, is a bit unpleasant for me to hear. These days, I open the newspaper, and read of children dying, here in the country where I live, and my eyes fill up, my heart aches, I want peace. Then, the next moment, I go to the fridge open it and make myself a sandwich, and all I want then, is mustard. 

I feel helpless to stop the war, so I put it out of my mind. Yet, I still say that I want peace. That I want safety for the children of this world. What would I do if I really wanted peace as if my next gulp air depended on it? What one step could I take? What seed could I plant?



30 Ekim 2014 Perşembe

Is the story in your head? Or written in your bones?

You know that feeling, when you love something (or someone) everything you hear, read or learn, you somehow connect it to that thing you love?  Some call this obsession, I prefer the kinder word of passion. Though, to think about it... cross that!  Being obsessed is also something to be proud of...but that will have to be the topic of another post.

Anyhow, so I'm right now chilling at this awesome retreat spot, in gorgeous Kabak Vadi, see the picture here, (not bragging, just sharing the joy...like they say: "Joy is contagious, so pass it on!")


And I was listening to my favorite yoga teacher of all times Elif Iscan, and her wonderful talk about the Chakras. And then of course it hit me...from the crown to the root, this is the journey that information needs to make in order to really settle in our body.

Sometimes students ask me how one story may have a strong impact when told by one person, and not be that hot when told by someone else.
It's about the integration of the knowledge. It's one thing to know a story, a string of event, an idea, it's another to transmit it.
In order to be ready to transmit an information we first have to let it sit in us, journey inside us, until we have fully integrated it, until we have become that story, and then again, to get ready to tell it, we have to let it travel again, through our selves.

How does it connect with the chakras, and how can we do it?
Hold on, I'm getting there.

The journey between getting an information and being this information goes from the crown to the root, and then from the root to the crown again if we wish to transmit this information.  And of course the process of letting a story travel through us in this way helps us grow and deepen.




If you don't know what chakras are, don't be scared, here is a quick update:
In yogic belief the energetic body has 7 chakras, or wheels, which are energy centers. Each of the chakra is connected to a color, a purpose or role and an archetype.

7 Crown Chakra---Role: To know -----Archetype: The wise one
6 Brow Chakra-----Role: To see -------Archetype: The seer
5 Throat Chakra----Role: to express --Archetype: The artist
4 Heart Chakra-----Role: to Love -----Archetype: The healer
3 Solar Chakra------Role: To act------ Archetype: the hero
2 Spleen Chakra----Role: To feel -----Archetype: the lover
1 Root Chakra------Role: To live -----Archetype: Mother earth.

(there is really a lot more that could be said about this, but that's all you need to know to follow how I connect this teaching to storytelling, then you can hit the books on chakras if you wish)

First we hear a piece of information, we connect to the universal knowledge, to the infinite pool of wisdom that's out there, we connect from the crown, the 7th chakra. In terms of archetype we then become 'the wise' one (I know it's weird to start with being wise...but hold on). The one who knows. Great! Next? We've got to let it in, to filter it through our entire self, until it comes to sit in our bones.
The next step? To see it. To visualize it.



It's also the first step in the work of the storyteller: you hear a story, you have to visualize it, not just hear the story but also see the characters. Once you've done this, you've hit chakra 6, you are the seer.
But to tell a story from this level makes you sound a bit like a medieval square fortuneteller: "I see, I see a king, a king seeking a treasure..." it's better than simply relating "the facts and just the facts"...but it's still very much in the head. Next?

Throat chakra, to express this vision with beautiful words, this is the level where this visualized information is dressed in the luxurious silks of metaphors and rhyme. It helps, people start saying that you are an artist, you've reached the 5th chakra...the trap is to stop here....don't stop go deeper.
If you want your story to do more than entertain and please the ears. If you want your stories to heal...you've got to let it into your heart. Yep! the Beatles said it: "Hey Jude, remember to let it into your heart, then you can start to make it better." I'm a flower child, if you ask me, then Beatles have said it all...

The heart chakra, love your story, see its healing potential, recognize it as the symbolic inner journey that it is. Ask yourself: why it need to be told, why you should integrate this information, how it would change you, why it's precious.



Next? If you know that knowledge has healing potential, and you truly hear it, then you should act accordingly. This is the solar plexus level. To truly listen = to act.  Up to now it was all in the head in words, in theory. This is the level of your digestive system, it's time to digest this information, and to use its energy to create change in your life.

Only then can you truly feel it in your bones, it has now become a part of you.  You own its homeopathic vibration. Welcome to level 2, the spleen chakra. You are the lover. Now when you tell this story, you are feeling it with your core, with your whole self. It literally turns you on. It is your inner light.


The final step? The root.  This will come with time, if you let the information into your self, and keep it there, feeling it, alive in you. Then it will write itself on your bones. It will be part of you. Once you have reached this level, you are no longer holding this knowledge in your mind, you are embodying it. You have become the ultimate teacher: mother earth. Now people can actually gain this knowledge simply by spending time in your company.

As I walk in the valley this week, every tree whispers a story, and the sea tells of all the shores it has licked, all the adventurers is has carried, all the bottled messages it has transmitted. Nature transmits us information from the infinite pool of wisdom every time we stroke a bark or watch migrating birds.  It is the wish of all storytellers to speak from the bones, not from the head, it's where the magic happens, when your words echo the distant sound of the wind playing the olive tree.

So before you start telling, teaching, transmitting a piece of information, ask yourself, have I let it travel to my core, have I let it seep in my bones?

14 Aralık 2013 Cumartesi

Be like a cracked pot

Ten years ago, when I moved to Turkey after spending most of my life in France and the US, I was moved to see how alive gift culture was in this country. For me to explain what I saw then, I like to use the following story:

"There once was a water bearer who every day to earn a living carried water from the distant river into the town where he lived. To do so, he owned two ceramic pots, which he hung at both ends of a pole he balanced over his shoulders . While one of the pots was bright red, smooth and perfectly waterproof, the other was old, discolored and a bit cracked, in fact it dripped water on the way. Each day the pot became a little more porous, and dripped a little more, till came a time it was only able to retain half of its content by the time they'd reach the town. This caused the pot great shame, and so finally, unable to contain its embarrassment, the pot addressed the water bearer: "Master, please break me! throw me! dispose of me! I can't stand this misery any longer, I'm unable to hold water, and every day my imperfections cause you to work twice as hard, you can replace me and get a more efficient pot, this way you'll earn more working less...please put of out of this misery".
"Oh replied the water bearer, is that what you think of yourself? Then please, let me show you something on the way back from the river tomorrow."
And the next day, after filling both pots, and hanging one on the right and the cracked one on the left side of his pole as he always did, the water bearer pointed to the right side of the path and asked: "tell me, what you see", the pot replied "I see dirt, I see stones, and dust" hearing this the water bearer pointed to the left side of the road and asked: "what do you see on that side?" "Oh there I see grass, weeds and wild flowers" "Yes, replied the water bearer, this is the beauty you have created by dripping a bit of your water by the side of the path everyday, you quenched the thirst of the soil, you gave birth to the sleeping seeds, and nourished the blooms, and every week, from this side of the path, I pick a few flowers, bring them to my wife to let her know this beauty reminds me of the beauty she brings to my life...and that's why there is so much laughter in my house. Yes cracked pot, you may not be efficient, but by randomly sharing your water with the soil you feed this land we all live on".

Of course, when I moved to Turkey there were not water bearers, but to my European eyes, there were many "cracked pots", people were dripping time and money all the time, not trying to retain it, freely dripping away and feeding their environment and society. When one would get on the bus without a bus card there was always someone willing to punch their own cards refusing to take money in exchange for the service, time was spent for emergencies and illnesses, but also to celebrate, chat, know each other, weave connections, be there for each other, together. Street corners had plastic chairs where neighbors would come eat sunflower seeds and drink tea, and when someone needed blood donations for an operation I would witness within neighborhoods the workings of a well oiled support system which could organically orchestrate what hierarchal systems can only dream to achieve efficiently.
Coming from a culture that measured and split the hours, minutes and seconds always trying to squeeze in as much as possible, seeing if an extra yoga class could not be squeezed after work and before a meeting, the utter generosity with which people offered their time and resources was a pleasant if at times challenging cultural shock.
This culture of "cracked pots" where accounting was loose enough to allow random acts of generosity and scheduling was made to be dropped as soon as a need was expressed, was a school of behavior, which at times made me stretch my limits by presenting me with a mirror where I saw how conservative I'd been trained to be with the time and money I leaked out to society. I understood that the gift required flexibility, being willing to devote time to the activity of neighboring, which ran contrary to any time efficiency and reliability of commitment that I was used to.
Connections were key, but any connection worked, no matter how distant, one just needed to know about the connection, a man who owned a shop in the building where worked the son of another man who served tea at the university where my friend's mother taught once helped me, because we were "connected", I then understood that while in the west the idea that we are all connected by 6 degree of separation is just a quaint little concept, in the east, it was the principle on which the society functioned and exchanged gifts. Not a this-for-that exchange, but a constant offering knowing that each gift made the wide network stronger and more abundant.
Some roles were key, the tea man (çaycı) or the green grocer (bakal), for example, were catalysts of connections and neighboring, they'd know of everyone's needs, roles and gifts and could always put us in touch with just the neighbor we needed from the wider community, which in a crowded city meant knowing and orchestrating an insane amount of information and details about the life of everyone. When my cat needed an operation and after visiting a few clinics to realize that I could not afford what they asked for, it was my green grocer who got me in touch with a elderly man who lived a few streets away and worked part time as a janitor in a veterinarian clinic, and seeing how we were neighbors, his boss agreed to conduct the operation for the amount I could offer.

If I wrote all this in the past tense, it's because over the last decade I've seen the cracked pots whetherproof themselves. Reacting to modern calls for productivity, pushed by the capitalist economic boom and the busy-ness opportunities it offers, the cracked pots are being sealed in Turkey. Slowly and in subtle ways. Time and money, stopped dripping as freely as they used to, creating a parched land, not watered the way it used to be, wild flowers of hope have dried. The change was so slow that we did not notice it. Maybe one of the first thing I noticed was that people started accepting the money offered when they punched their bus cards for a stranger, and then it became more difficult to even find someone willing to punch their cards for you, creating a long embarrassed silence when someone asks.
Overall the changes created by the increased productivity on the traditional gift system were so subtle that if I listed the many small shifts that I noticed, they would all seem petty, isolated incidents.
But it added up to a change that could be felt by all, at least in the air of the big cities.
The more time was measured, split, managed and organized, they more it disappeared, the entire city of Istanbul started looking between the cushions of the couch to find some loose time that might have slipped there by accident. The more carefully it was allotted the more scarce time became. People could no longer find a minute to help their neighbors fix their sink, or to talk to the bakal or even to go to the bakal, they went to time efficient supermarkets where no one wasted their time telling them about some stranger's cat.

And then...Gezi happened!

We all went to parks, walked in the streets, drank tea breathed in some tear gas and debated together, everything else was put on hold.
When people ask me what Gezi was, I say that to me it was the neighbors of a big city who all gathered in a park, and broke their pots and poured the water contents on the trees.
For a few weeks, time came back to the city!
All the scheduled events were put on hold to create time, space and financial resources to feed, protect even recreate neighborhoods in the city.
Yoga classes were taken to the parks, meetings were made to discuss what was happening in the moment not what had been set on the agenda. The world kept turning, we found that when our neighborhood were being watered (here read showered!) with extra time, resources and love, we all had enough, in fact we had so much that we could jump off the hamster wheel and sit in a chair on the corner of the street with our neighbors.
We had enough to give, we emptied our closets of unused objects and shared them in parks, when we shopped for food we bought twice as much so as to feed the neighborhood and in the end of the month we found we'd received so much that we had spent less.

Beyond what it did to the allocation of time and resources, it created a shift in the air, once again we were walking in a sacred garden, and in each person we met on the street we saw a sacred gardener. Getting in and out of the subway people were more considerate, bumping into each other on the street would lead to smiles and heartfelt apologies, smiles spread from one face to another, we recognized each other in the faceless crowds we saw millions of neighbors, cracked pots watering the sacred community and making it greener with each "wasted" unaccounted drop.







2 Aralık 2013 Pazartesi

Can stories help us create more awareness?

How would you walk if you were walking in the garden of Eden? 

Would anyone ever leaving trash behind if they were in Eden? 

Most cultures have stories of holy gardens, holy fields, magical spaces were one would naturally want to walk "as if kissing the earth with their feet" (to quote Thích Nhất Hạnh's beautiful words).

What if the myths were keys, and that if we believed them we could pour their reality into our daily reality, we could take this warm, energy-loaded, molten gold and infuse everything around us in it, till it became what we experience?

Stories and myths were told, chanted, woven into the core of people from childhood till death because our strong connection to the symbolic world creates a powerful inner guide for our daily life.

I was recently at a gathering where Charles Eisenstein mentioned how easy he found it to make the right decision when everyone was looking and how hard to was when no one was. This is our daily dilema...we know how we want to act, we know how we can contribute to, tend to, add to the beauty around us...but we need something (like knowing that we are seen) to help us apply it...
If I asked you what were three things you could do more beautifully today, or three things you could gift the world today to add to the beauty of the dance? What would these be?
I'm sure you know...in fact more than three...millions...

We are living on the earth, the enchanted garden, the body of Gaia...we walk on the belly of the goddess, how can we not kiss her with every step?

Are we leaving enough room in our daily life for filling ourselves up with awe for the world? 
For how incredible this experience is?

Walking in Istanbul I see beautiful ottoman buildings with esthetic proportions, and intricate carved stone work, sided by more modern buildings sloppily put together, that feel crammed together and tied with a string...
And I think that maybe the difference between them is that the builders of the first building were building homes for families that would spend time on this beautiful garden we call earth, while the other buildings were sloppily put together by people who only focused on the end goal, getting a return on their invested money as fast as possible...no notion of the earth, the garden, the families, the laughter of the children growing between the walls...

On days I connect to the earth as a garden, if it's raining out (like it is at the moment in istanbul) I whisper: "drink sweet mother..." if it's sunny I take a blanket to the park, I need to lay on my mother, each moment is more significant, each action more intentional...I see us all dancing an eternal wild dance even these two men in the traffic angrily singing the testosterone song, they are the baritone of our divine choir, we are all in the garden together.

My mom accuses me of being a utopist...a beautiful criticism. 
She says that economic realities are such that people can not afford to make beautiful homes...but then I ask her about these decorated works of art...mud homes from africa:


Is it possible that we hide behind economic realities, and use it as an excuse to not beautify our garden? Can't we with a little time, and no economic investment, create more beauty or tend to the beauty in the world?  Yes for sure we can.  It's a practice, it's like these indian women taking the time in the early morning to draw beautiful patterns on their threshold...or in the streets, temporary art, a simple offer to contribute to the beauty of our garden.


No, I believe that what we need to beautify the garden is not more money...it's more awareness...feeling that all we do, we do on the body of a goddess...that we are blessed to live in the enchanted garden...
And so, as you walk the earth today...what beauty do you want to tend to, what seed to you want to plant?

20 Kasım 2013 Çarşamba

Mythos vs. Logos, how to see the world through story...

"There is a big difference in whether or not one has a child grow up with fairy tales. (...) If fairy tales have not been given, this shows itself in later years in weariness of life, in boredom.  What is absorbed little by little by means of fairy tales emerges subsequently as joy in life, in the meaning of life -it comes to light in the ability to cope with life, even into old age. Whoever is not capable of living with ideas that have no reality for the physical plane "dies" for the spiritual world." Rudolf Steiner.

I love this quote by Steiner, especially when he speaks about our need to be able to live with ideas that have "no reality for the physical plane"...
As a society, we put logic above all and we tend to think of the symbolic and the absurd as unnecessary.  

Of course, we love to escape with fantasy novels and films or giggle at the nonsensical rhyme in a children's book, we tolerate them in our world only because they make us laugh or help us relax.  

But we still think of it as junk food for the mind, it keeps the mind busy, but the effects are considered non-existent.

The greeks recognized two ways of explaining the world: Mythos and Logos: stories and logic.

However, we have cut down one of the branches of this tree, not that we don't explain the world through stories anymore, but we don't value the mythos side of our understanding. Words like "it's all a myth..." show that we distrust information that has not been processed by the recognized and approved filters, namely: logic, explanations using observable facts, controlled experiments, and deductive proofs.


Oh, but of course it's all a lie!  Studies after studies have shown that we are not really the rational 'logos' thinkers that we train ourselves to be, our brains are wired for stories and we base some of the most important decisions of our lives on it. The problem is that having been trained to avoid mythos-based decisions we blame ourselves for it. We lose valuable time resisting it, double guessing even triple guessing ourselves, when we could just trust that valid and beautiful decisions are made by listening to the flow of the deep river of story within us.




There is one crucial decision we take once (or several times) in our life which we usually don't rely on logic for: our life partner.  

After all, was there ever a logical way to fall in love? 
When we think of love -maybe because it's one of the rare topics on which we don't expect to make a rational decision- we can easily realize the huge influence of stories on our way of perceiving the world.

Myth as a way of perceiving the world is behind all the decisions we make even those considered to be the realm of rational thinking like: investment, career moves or mortuary arrangements where we usually don't admit to using anything but the purest form of our all powerful logical mind, uncut, undiluted...yeah, sure, right!  

We all live in the story, in one huge tapestry of story woven from a thousand threads gathered all around us.  And it's a blessing, because these stories help us connect with our senses, trust that there is something magical in this world and like good ol' Steiner puts it emerge as joy in life.  


 So... what about boldly reclaiming mythos as a way of perceiving the world on equal ground with logos? What about justifying walking through new doors, or courageously slamming old ones, not by saying that it was the logical thing to do, but that it was in tune with our story. How about listening to the mermaids' call, letting ourselves be trapped on the island of desire always knowing that our ship is waiting and that the story will bring us to Ithaca?



We are as much the children of Homer as we are those of Plato, so what about honoring the lessons received from both branches of the tree and letting the winds of the mediterranean take our ship on the adventure of a lifetime?
Open the window, and scream a new name for the princess before it's too late, tell the raging sky that "yes, I believe in stories!" before the winds of chaos and disenchantment have ravaged the beautiful symbolic kingdom where humans have found and left all keys ever since the dawn of humanity, ever since they started to gather around fires to sing kingdoms of sand, mist and magic into reality...

10 Ekim 2013 Perşembe

Is storytelling an invitation for us to live enchanted lives?

My friend Can (it's a Turkish name and it's read Jon) once told me that: "circumcision was like Santa Claus"
(Can loves to make this kind of bold statements, which is in turn why I love him).

His theory goes like this: both of them are the epitome of trickery on the parents' part and of disillusion for the children who then understand that they should never trust adults.

In Turkey he said, they dress you up like a king, they even give you a scepter put you on a horse and beat the drums, it's your very special day, you are on top of the world, you think your family, the world...hell the universe loves you!!



And then...they cut your penis...and you wake up in pain and for days the thought of sitting down scares you...and you realize that your family can... and will... tell you tales.

And Can figures this can't be far from the disappointment that kids in the west must feel when they realize they've been leaving all these cookies and all these glasses of milk not for Santa Claus, but for their parents, who lied and connived in their back...


Minus the pain, the Santa Claus disillusion brings kids to the same conclusion, adults don't believe and they'll use a child's belief in an enchanted life to trick him. No wonder even adults rely to the cry of Peter Pan... who would WANT to grow up?



This is something I often run into with kids especially the 5-8 year old groups. They like stories, but they don't want to be tricked and their sense of what is really real and what is not is still shaky, so they rely on us adult to let them know what to believe...

They'll come like detectives after the show and interrogate me with serious eyebrows "Are these stories real?"...or they'll use reverse psychology: "I KNOW none of this is real!"...some, already tired of asking direct questions to receive tricky answers delivered with a grin of adult contempt, focus on the evidence, they inspect my props, a glass bottle which I claimed contained medicine to raise the dead turns out...empty! I obviously never owned the stuff...HA! Now THEY get to deliver the grin of contempt with the deadly sentence "I never even BELIEVED you had the stuff" My diamond big as your eye...a piece of glass...disappointment!


My niece once embarked on a quest to test the veracity of the Santa Claus situation which my sister insisted DID exist (for the sake of her little sister really) while quite a few of her first grade friends claimed it was just another fib.
She knew he left presents, but come to it everyone can bring presents. What people couldn't (wouldn't!) do is take something that did NOT belong to them. So...she wrote him a letter and left it by the tree, if he took it, it would prove his existence...but still, to make sure, the letter read:
"Dear Santa, I've been wondering, do you exist?"


Oh the length they will go to test the thin line between reality and enchantment.
Now my theory is this (yes, I just LOVE theories...):

Kids live enchanted lives, and their fear comes for the fact that as adults we feed the fire of their imagination...but we don't believe a shred of this is true!

It's not that they want to leave enchantment behind, it's that they want us to either believe or at least stop pretending and then judge them for their naïveté and crack jokes about it to our friends.

I believe in fairies, I believe in magic!
Oh don't get me wrong I'm about as blasé as they come when it comes to organized religion or overly new age stuff (notice the careful placement of the adverb "overly")
I won't turn tables.
I was raised super over the top skeptical (but by hippies, on a commune, it goes something like: "religion is the opium of the masses, we don't buy any of it, because we are rational people, but we worship bees and howl to the full moon")...anyhow...


I believe that thresholds are sacred places between worlds...I believe that you can step into a grove of singing trees and hear them do a barber shop quartet number...I believe in the miracle of the seed...and that bees are goddesses to the sticky pollen which holds on like crazy to their hairy mane in the wild hope of hitting a landing area smaller than the head of a needle...I believe that each second spent no worshipping the miracles of natures is wasted...and I believe with all my heart that if I ask for it often enough I will reincarnate as an albatross of the Bosphorus so I can dry my wings in the raising run...and wind surf like a kite.

When I tell stories I gather around myself all of this wildness, I wrap myself in a shall of enchantment. So that I can enter kids' enchanted lives without bringing the adult smell of disillusion. Because kids who question, they also love to believe in the stories. How do I know? I see their faces when they are in the stories!
What they don't like is the idea that it all came from the mouth of someone who believes s/he's tricking them.

I believe in the stories I tell them, I believe they are true. And that's what I tell them.
Oh, I don't lie about it. I don't believe in their factual truth but I believe that they carry the truth.

And when told in this way, kids relax. I've told stories to a kid who entered the room issuing me the warning that he "hated stories because it was all made up and nope mam he would not buy a shred of my lies"...and I'm blessed to say that he left with magical star in his eyes...and I know that it was because we went to this other world together.
And that's how telling stories to kids is good for us adults...
it's an invitation:  the practice of living enchanted lives.

28 Eylül 2013 Cumartesi

The Meaning of life.... through stories


In his book "man's search for meaning " Viktor Frankl says that life is the question, the answer we give to it, is its meaning.
So the search for meaning depends not on our set of circumstances, but rather lies in the answer we provide to all that life throws at us.


A sort of "if life gives you lemons, make lemonade" except that having developed his philosophy in concentration camps, his focus wasn't necessarily on the bowl of cherries.

Now I hear some of you getting impatient, "enough of this" you demand to hear (read) how all this could possibly connect to stories...patience my friend...everything is possible after midnight in the blogosphere...
Here it goes:
Stories could be called (and I've just decided to do so...) the school for man's search for meaning.

There is a character, the hero and then a trigger,something happens, and it leads the hero to take action. In a way, the tale is the hero's response to the questions asked by life. The hero is never passive, all events in the story touch him, he never says:

"A dragon? Well, as long as he's not in my back yard..."
"The princess lives in a tower awaiting delivery? Hmm, I hope the authorities will deal with it!"
"Here is a guy drinking up the sea? Whatever floats his boat!"

In tales, the characters feel concerned by all the events, and they act, they answer the question posed by life, thus giving meaning to their story, their lives become quests.
Reading tales, bathing children in tales is a way to prepare them, and remind us that life is to be lived, not just observed, watched, reflected upon.

Life and everything in it is a question and your life gains its meaning when you answer it, your answer, your reaction, your choices and actions become your story.

So what's your answer to the latest curve ball life threw at you?  Choose your attitude, be the s/hero of your own story....